Tina Post's work is preoccupied with racial performativity, especially (though not exclusively) the ways that black Americans perform racial identity. What modes of embodiment assert belonging or dis-belonging, and how? When do racialized subjects confirm and when do they subvert the expectations of their identitarian positions, and to what end?How do other factors of embodiment (gender, dis/ability, hybridity, and so forth) color these performances? Learn more about her here.