DR. CORNEL WEST

2015 ANNUAL LECTURE SPEAKER

Dr. Cornel West discussing his new book, "The Radical King," in Rockefeller Chapel at The University of Chicago on Sunday, February 1, 2015. Co-sponsored by the Office of Civic Engagement's UChicago Engages series, Seminary Co-op Bookstore, and Beacon Press.

RACE & PRISON ABOLITION

Discussion Series

CSRPC Beyond Prisons Initiative & Mass Incarceration Working Group held a two part discussion series in preparation for the CSRPC Annual Public Lecture, Visualizing Abolition: How to Imagine a World Without Prisons by Professor Gina Dent on May 8, 2024.  Sessions were curated and facilitated by Brianna Suslovic, graduate student at the Crown Family School of Social Work, and Beyond Prisons Fellow. 

Part II: Prison as a Border

April 10, 2024

How is the prison a border? How do global forces shape the dynamics of incarceration and punishment in the United States? How can scholars ethically relate to prisons as sites that reproduce hierarchies of race, gender, class, and geography?

This discussion used Angela Davis’ & Gina Dent’s published conversation, “Prison as a Border: A Conversation on Gender, Globalization, and Punishment,” as the starting ground to address these questions.  Dent and Davis discussed the history of studying prisons as well as the productive tensions between feminist and abolitionist paradigms for thinking and researching. Using the transcript of this conversation, participants discussed the global politics of incarceration, the role and limitations of scholarship in carceral settings, and the gendered forms of domination that emerge in carceral settings.

Part I: Abolition Futures Through Art

March 20, 2024

"How might a project that begins with arts catalyze thinking and dreaming beyond the prison industrial complex—creating new ways of engaging the public with our carceral past while hoping to end its future?"

Gina Dent and Rachel Nelson asked this question when reflecting on their public arts and scholarship project at UC Santa Cruz, Visualizing Abolition.

Participants were invited to think about the radical potential of art to engage with abolitionist theory, practice, and dreams.  Using audiovisual materials from this study guide for the exhibition Barring Freedom, participants discussed the way that various forms of art might prompt viewers to imagine abolitionist futures.

This program was presented by the Center for the Study of Race, Politics and Culture  and Beyond Prisons at the University of Chicago, and co-sponsored by International House.